Monthly Archives: March 2012

ToB: The Sisters Brothers vs Open City CHAMPIONSHIP ROUND

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You guys!  Yes!  A surprising and surprisingly large victory for The Sisters Brothers aka The BEST Brothers over the also fantastic Open City.  Look, when it comes down to it Open City probably has more literary merit.  It’s deeper and stays with you longer, and if you want a proper (mini) review see what Vivienne said the other week.  I haven’t read any Sebald, so I don’t have that as a reference point (I CHALLENGE YOU to find a review that doesn’t refer to him) but it’s a beautifully lyrical and haunted book, and Julius is a fascinating and evasive narrator.  That said…

F YEAH (family friendly small business blog) THE SISTERS BROTHERS!  That book was the best!  I loved it, AS YOU KNOW.  Did you love it?  If you didn’t GET A COPY NOW ($19.99 at the incomparable Sunflower Bookshop!).  If you did, I know right!  Hands down the most entertaining book I read last year, full of rich evocation of place and time, picaresque characters and adventures, fantastic protagonists (for sociopaths) and a wonderful story about greed, conscience, fate, mercy and murderin’ folks.

And to think I thought the CHAMPION would lose in the first round!

And with that victory celebrated thus ends the 2012 TOURNAMENT OF BOOKS!  My favourite literary event of the year is over, and now the long drudge of the REST of the literary awards.  I hope you enjoyed it as much as I did.  And, although the excitement of the tournament is over, keep reading the Sunflower Bookshop blog for more news, reviews, and whatever else I post on a particular day.

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Miles Franklin longlist

Oh yeah ASIDE from ToB stuff some less interesting things have happened today in the land of books, most importantly the announcement of the longlist for the Miles Franklin Award for Australian fiction.  Here it is bellow fellas:

Blood – Tony Birch
The Spirit of Progress – Steven Carroll
Spirit House – Mark Dapin
The Precipice – Virginia Duigan
All That I Am – Anna Funder
Sarah Thornhill – Kate Grenville
Five Bells – Gail Jones
Autumn Laing – Alex Miller
Cold Light – Frank Moorhouse
Past the Shallows – Favel Parrett
The Street Sweeper – Elliot Perlman
Animal People – Charlotte Wood

Aaand that’s that.  As you can see Fay’s bffl Elliot Perlman is on there so, you know, good for him.  And everyone else too!  After last year’s controversies on how the judges were sexist pricks the pressure for them not to be this year was PALPABLE.  And so it’s a pretty equal list.  Especially for white people!

And that’s all I have to say about that.  Most of these books we have in stock, the ones that we don’t we can order, call me back when the short list comes out.

Fay: Yay for equality! Though may I remind you that last year’s longlist was pretty even too, the shortlist is where they weed out the ladies. I am personally excited for Favel Parret who has a cool name and had written a completely beautiful first novel that flew kind of under the radar until the indies. And, of course, our Elliot.

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ToB: The Sisters Brothers vs. Open City AND The Sisters Brothers vs. Lightning Rods

Oh! pleasant exercise of hope and joy!
For mighty were the auxiliars which then stood
Upon our side, we who were strong in love!
Bliss was it in that dawn to be alive,
But to be young was very heaven!

– Steven Helfenbaum, 2011.

Well my friends, this year’s Tournament edges towards its inevitable conclusion with round after round of joy.  First The Marriage Plot is eliminated, then through the magic of the Zombie Round my two favourites, Open City and I THINK YOU KNOW THE OTHER ONE (of which we have three more copies in stock!),  both live to fight another day.  AND the last book left that I haven’t read is eliminated!  (Though I bear it no ill will it is certainly easier to talk about books I HAVE read).  Whatever happens after this point will suit me just fine: either one of my two favourites will win or The Art of Fielding will, and that was ALSO totes great!  So in the way of commentary, I don’t have much.  Yay for everything I like winning lots and yay for The Sisters Brothers for being popular enough to come back?

In the commentary Kevin Guilfoile and John Warner asked a couple of guests what book they would have had in the Tournament if they could, and for me that answer would totes be The Tragedy of Arthur by Arthur Phillips (which is STILL unavailable in paperback in Australia, and thanks to a pesky thing called the law I can’t get the overseas paperbacks in for the shop).  It’s just such a fun, clever, meticulously written book and I loved it and it was the best.  DON’T WORRY YOU GUYS I can give it a proper review if it does come out in paperback and we get it into the shop.  (And I say pfft to hardbacks, what am I a BILLIONAIRE? [No.  Also if only]).

But with the Tournament fast coming to a close my favourite literary event of the year is over, and FURTHERMORE we are totes left with a gap in bloggage.  I won’t lie to you folks, blogging the Tournament was an easy and excellent way to generate good book content, and it was great fun.  So will the blog be able to continue without the Tournament?  You’ll just have to find out by READING IT.

Love yas,
Steven

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ToB: Lightning Rods vs 1Q84

Ah Lightning Rods, the book we have nothing to say about.

Well there goes the last book I’d read in the matchups.  I am indebted to Lightning Rods for knocking out Salvage the Bones , a book I refused to read (dog death), but then it kept on getting up in my face and knocking out things I liked, while not being available in Australia. It sounds interesting and has polarised commentors but seriously I have nothing to say about it. Go check out the matchup comments to see how people who’ve actually read the book feel about it.

1Q84 on the other hand I have lots to say about. But I’ve already said it in three other posts. Previously, on 1Q84 : I really liked it, found it really entertaining the whole time, it was ambitious and often successful, had some minor problems, I didn’t agree with some ToB judge criticisms probably because I didn’t find it as painful as others to get through. I really like soemthing Judge Michelle Orange said: “The emphasis is less on the sentences themselves than their layering and arrangement for cumulative effect. It’s like reading underwater—at times it feels extraordinary, silky, buoyant, and strange, like moving through a new world.” There’s also an interesting discussion of Murakami’s writing style in the commentary.

Goodbye 1Q84! I’m glad you made it this far and not surprised you didn’t make it further. Tune in tomorrow for the last of the semis!

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EUGENIDESTRUCTION 2012

Steven: Well Fay, your favourite/the worst book of the tournament is out.  HOW DOES IT FEEL?  Look, this isn’t a chatz format, let the readership know that I wrote these arguments in advance giving Fay PLENTY OF TIME to rebut.  (Fay: while Steven has more time to research, as referenced by his prodigious referencing.) But I hope the truth shines through and that EUGENIDESTRUCTION 2012 is a resounding success.  Allow me to begin with the most glaring fault, Madeleine.  As one of the three central characters, probably the one with the most pages devoted to her, you’d expect her to be more than just a hollow, agency-less shell right?  Noooope.  Madeleine is boring.  Here is what we know about her: she’s preppy, she likes order and neatness but ALSO she secretly loves the punishment of disorder.  Aaaand that’s as far as her depth goes.  To quote Hmgillispie in the ToB comments, “Madeleine has no personality except for her views on literature”.  Amen brudah, and something a number of people seem to have picked up on.  What I’ve seen mentioned a bit in the ToB comments and elsewhere is that the people who like Madeleine either associate her with themselves, or someone they know, thus filling in the gaps in her character.  Fay, if I may be so bold to suggest that you may well fit into this category.  In addition!  Name one thing that Madeleine does in the book that isn’t about either Mitchell or Leonard OH WAIT YOU CAN’T.  Oh sorry, she goes to a conference and decides to study post-grad Victorian literature WHOA SLOW DOWN THERE EUGENIDES!  Throughout the book, all of her actions are precipitated by one of these two men.  She goes to Cape Cod to be with Leonard, and then… actually I’m just going to paste this same argument from a discussion here by Nika Knight at Full Stop: “Even when she scandalizes her mother by moving in with her boyfriend, she’s just following him to a place where she has no job and no goals and no friends. Even when ending her marriage, she does so by acquiescence”.

Fay: Ok let me jump in here for a second. This is a complaint I’ve heard a lot and I think it is by people being thoroughly uncreative and unrealistic. Madeleine is not a Mary Sue! She’s kind of wry, but not particularly funny. She’s pretty  enough to make life easier but is not defined by her looks. She’s smart, but not a genius and not confident enough to voice her thoughts in class. [Steven: So far you’re only kinda ADDING to the boring thing] Quiet you! She’s glad that someone else says ‘Barthes’ first so she doesn’t embarrass herself. You know what that sounds like to me (ok other than me [except for the pretty part], I’ll give you that [Steven: Ha!])? A REAL PERSON. Real people aren’t all stunningly and interestingly characterised, they’re ok at stuff, and nervous and unsure sometimes. [Steven: Agreed!  I’m not asking to read a book about perfect people (if I was I’d just write my autobiography HEYOOO) because that would be boring.  My complaint isn’t that she’s not perfect but that she’s boring.  So all this would be fine as a basis for the character!  But there is no development or journey, no change or transformation.  She stays that way through the whole book, and that’s not enough to make an interesting character.]

And yes, she doesn’t do a lot by herself. May I remind you the book is called The Marriage Plot? It’s a take on the freaking Victorian marriage plot and if Madeleine was full of agency and practical ideas about where her life was going she wouldn’t be at the centre of this book. [Steven: Well, first things first, it’s meant to be a late modern take on the marriage plot which takes feminism into account.  It seems that part was forgotten by Eugenides.  ADDITIONALLY, if the book didn’t remind you every 10 seconds (look here’s the name of a book, aren’t YOU clever) it would just be taken as a good ol’ fashioned love triangle.  FURTHERMORE that’s not what I’m saying.  I’m not saying she has to know everything but I am saying that Eugenides short shrifts her.  I can’t say I’ve read any marriage plot books but I assume the women at their centre aren’t simply the pawns of everyone else for the entire book?  EVEN FURTHER she’s not really at the centre of the book.  It starts as hers but really ends as Mitchell’s, which emphasises all the more her lack of agency.  The book ends, once again, in her simple aquiescence] She follows Leonard because she doesn’t know what else to do with herself. Again, REAL PEOPLE may totally finish college and be at  a loss and grab onto whatever is going rather than go back to live their parents’ house. The uncertainty of the newly graduated is part of the setting of this book and why it works the way it does. Madeleine, Leonard and Mitchell are all on the edge of something, moving from a day-to-day life full of literary debate and beatnik one-upmanship into a world where they are suddenly expected to know what to do and how to do it. Madeleine doesn’t, and that’s precisely the point. And who hasn’t clung onto a love affair hoping to recapture their initial feeling? Why does everyone find Madeleine so hard to deal with? To me she is completely real and perhaps fairly ordinary but that is precisely the point.

Steven: Mitchell and Leonard, on the other hand, have a lot more going on.  More depth goes into Mitchell’s idolisation of Madeleine than goes into her character.  Mitchell and Leonard both have Stuff Going On, as well as character development.  Leonard is the most interesting of the three, suffering from bipolar disorder he is either a manic force of nature, bringing joy and excitement into Madeleine’s (and others’) life (until it inevitably goes too far) or he is helpless and demure, in need of Madeleine’s attention.  Both of these states are vividly detailed, and a lot more of Leonard’s personality shines through than Madeleine’s (oh no, she just doesn’t have one).  Mitchell too is more interesting.  Though I found him a whiny, annoying jerk who needs to shut up always (which further says something about Madeleine).  Admittedly THAT last complaint is a personal taste thing.  But let me tell you if there is one thing I don’t want to read about it’s people backpacking in Europe/India.  Actually, that was another thing.  That section was too disjointed from the narrative.  I found in the (roughly) last third everything became a bit too loose and messy, in an unsatisfying way.

Fay: Again, DISAGREE. I found the backpacking section another example of a real person being lost that rang true. The romance of the adventure compared to the realities of being lonely and confused and quite literally lost is something that most travellers will be able to identify with. Especially the scene at the start with Mitchell’s friend ditching him for his annoying girlfriend. I also found it particular interesting as a period piece, a time when backpacking meant being constantly disconnected from everything you knew. Mitchell’s isolation is highlighted by all the letters sent and not sent. And I thought the looseness was again indicative of mental state. Mitchell is isolated and confused, stringing his experiences together in the hope of finding some religious or spiritual meaning. I thought the writing conveyed that really well. [Steven: All of that, MAYBE!  Not caring about white people backpacking and despairing is clearly a personal thing.  But you haven’t addressed its disjointed-ness from the rest of the book.] Ok, maybe because I didn’t find it so disjointed really.  This is a post-college self definining story and it fits in perfectly, as well as being a common experience, with that theme.  Mitchell, who seems to have everything going for him tries to physically distance himself from everything in an attempt to define HIMSELF rather than fall into a path defined for him. Each character spends a lot of the novel feeling profoundly alone, Mitchell just happens to experience this physically as well. It worked for me. Furthermore while I agree with your liking the intensity of the Leonard section, may I controversially say that I found him and not Mitchell to be the annoying one.

Steven: The first third of the book was pretty orright!  I like college/university stories, probably because THAT’S WHERE I LIVE! and I particularly like wanky theories and such because THAT’S WHAT I DO!  So the bits at Brown were fun, where there was still the potential for Madeleine to become not boring.

Fay: Me too! It inspired me to go out and buy a copy of A Lover’s Discourse by Barthes (which I now know how to pronounce correctly) from the one and only Sunflower Bookshop! Buy books there now! I honestly think that you may have liked it more if you had finished uni and were trying to make your life work in the real world. That’s where I live. It is confusing and scary and you don’t always know where to go or what to do. And you’re not the smartest person or the most beautiful person or the most creative person [Steven: speak for yourself! Fay: I saw that coming the second I wrote that.] so you just see what comes along and go where it will take you. Eugenides captures this perfectly [Steven: I will accept this!  But unfortunately that’s not all the book’s about].

So the verdict? We must agree to disagree! Agree or disagree with us Agree with Steven in the comments.

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Someone bought it!

YES WE CAN!  YES WE CAN!

Well, as of 10:02 AM today, the last copy of The Sisters Brothers has departed our fair shores.  Alas, I was not here to see it’s departure and interview it’s new owner (it was one hour too soon!) but I can report that it has gone to the home of a loyal Sunflower customer, who damn well better enjoy her new purchase.

Thank you ladies and gentlemen, and congratulations on getting to the end of this historic journey.

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The Sisters Brothers LAST COPY Live blog!

1:16 PM – Ok, more than half an hour since my original blog post and still no one has bought it.  Keep reading for up to the minute updates!

1:22 PM – Some looks, I thought, but alas they were only for All That I Am.  And now for lunch, hopefully in half an hour I will have good news for you (me).

2:08 PM – After an unintentionally extended lunch break, I have returned to find it unmoved from before.  Going to try to reposition it so as to make it more visible.

2:27 PM – No results yet, but the day has hit a bit of a lull anyway.  I’m still feeling positive about it.

3:15 PM – Well, three quarters of an hour later and still nothing.  I have a new theory, maybe people (people like you?  WHY HAVEN’T YOU BOUGHT IT?  You know, if you haven’t) think it’s TOO good for them?  And I guess on some level, what are we mere mortals compared to The Sisters Brothers.

3:40 PM – Ok, I am prepared to let the lack of purchase thus far slide, as business is irregularly slow.  You hear that?  Like Robin Williams curing Will Hunting, it’s not your fault.

4:01 PM – Could The Sisters Brothers be considered a children’s book?  It has horsies!  That die.  And a little girl!  Who’s evil.  And a dog!  That is poisoned.  (Those last two being in the dreamlike Intermissions in the book).  I guess what I’m asking is can I recommend it to someone looking for a book for a 10 year old girl?

4:23 PM – Well my conscience is clean – no 10 year olds corrupted – but alas the book remains.

4:49 PM – 11 minutes till closing time.  Will a champion come before then or will I have to continue tomorrow?  KNOW THAT I AM FULLY PREPARED TO

5:00 PM – Well, I’m disappointed.  But I will be here tomorrow and I WILL see this book bought.  And I am NOT buying a second copy for myself.  If you’re reading this and you haven’t read The Sisters Brothers, do yourself (and also me) a favour and come pick it up tomorrow.  It may not be here much longer… Hopefully.

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ToB: The Rest of the Quarter Finals

Yessss!  You guys!  First The Sisters Brothers wins, then The Marriage Plot loses!  Ha!  Victory!  And with that gloating over let’s get to the first round.

So, as discussed, my favourite book in the tournament is GOING FORTH!  But clearly not FROM THIS SHOP.  Why has no one bought the last copy?  I only have speculation.  Could it be that the Western is not a hugely appealing genre, especially in Australia, no matter the literary merit of the book in question?  Could it be that every one already has one (we HAVE actually sold a number)?  Could it be that it isn’t in a visible enough location?  Could it be that you who read the blog don’t love me?  Could it be that I haven’t been shilling it when people ask for a recommendation because I can just TELL the people wouldn’t like it?  WHO CAN SAY.  All I know is that you should watch the blog for more updates on the availability of that last copy.

SO, that book v. Swamplandia!.  Similarities: quirky first person narration from endearing characters, magical realism, poetic writing.  Differences: the rest of the books!  I’ve already discussed both their individual merits in their respective ToB posts so you know how I feel about both of them.  One further thing I will say is that, while this is CERTAINLY more an indictment of me than of Swamplandia!, at times I found Ava’s magical perception of events kind of irritating (and Ossie’s even more so!).  I felt like yelling at them SPOILER ALERT (highlight to read: Your stupid ghost thing is INCREDIBLY annoying Ossie and also shut up! And Ava THAT DUDE’S TOTES A PAEDOPHILE END SPOILER

The book was clever, it ramped up the tension, but at times I wanted to skip ahead till what I knew would happen happened.

THAT SAID!  Overall it is certainly a great debut novel, I wish I had one iota of the talent that Karen Russell shows.

The Sisters Brothers had tension too, but never the irritating kind, so that’s a win for me.

And so my favourite book of last year lives to fight another day!

As for the SECOND match up, may I just say haHA!  Goodbye least favourite book of last year!  Now I don’t want to spend too much time talking about this round (due to much previous discussion and incoming [eventually] EUGNIDESTRUCTION 2012), but I am very happy with the outcome.  Open City is a fantastic book, and Julius, its narrator, is a fascinating character.  As for a revelation that occurs towards the end of the book, I don’t want to spoil it here, but I WILL refer you to the comments on the match up because there is some seriously smart and interesting discussion going on there.  I’m glad that the more deserving book won (though Marriage Plot has it’s fair share of supporters, like that Fay girl).

That’s what I’ve got, keep a-readin’ to find out about the (eventual) sale of the last copy of The Sisters Brothers.

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ToB: The Art of Fielding vs Open City

So!  We’ve finally got to the end of the first round in Sunflower Bookshop’s mildly bizarrely ordered coverage of the Tournament of Books.  Followed a bit later with the mildly surprising AND HUGELY DELICIOUS victory of The Sisters Brothers (The Best Brothers) over Swamplandia!.  But first this round!

These books you guys!  Some of the (second) best books in the Tournament, head to head with their FISTS.  Book fists.  I loved them both.  I actually have a tattoo of Teju Cole making out with Chad Harbach.  Watched serenely from on high by Patrick DeWitt (WHY HAS NO ONE BOUGHT THE LAST COPY OF THE SISTERS BROTHERS IN STORE? It’s only $19.99 for AT LEAST 100 times that value!).

Let’s start with The Art of Fielding, aka the hardest to sell book in the shop.  “Why”, I hear you ask?  Well let me give youa summary mon frere.  The Art of Fielding follows young college baseball player… THERE. RIGHT THERE is why this book is hard to sell.  I preface every recommendation with “you’re not going to like how it sounds at first but bear with me”.  Australia just does not care.  “BUT” I tell them, “it is about so much more!  And it is!  But let me continue first, you jerk.  The Art of Fielding follows young college baseball player Henry Skrimshander, star of the Westish College team.  Henry is preternaturally gifted, and his skill, guided and developed by fellow player and bffl Mike Schwarz, raises the team into a force to be reckoned with.  Until one game, Henry makes a bad throw, his first, which goes off course and seriously injures his team/room-mate Owen.  After that, Henry finds he is unable to throw, seriously jeopardising his team.  This throws stoic-philosopher-loving Mike into a crisis of his own, having spent so much time on Henry to the detriment of his own life and law school ambitions.  MEANWHILE!  College President Guert Affenlight falls in love with Owen, and his daughter Pella comes to Westish, escaping an awful, controlling husband and trying to get her life back on track.  And all of it is GREAT.  Harbach made a storm when he was offered, like, a jillion dollars as an advance on this (his first!) book, and he totes deserves it!  This was one of the most enjoyable books of this years tournament.  It’s true that beyond its plot and excellent writing that there was nothing more to it, no deep philosophy or issues that will keep you a-thinkin’ after you’ve read the book, like there were in Open City, but you know what that’s ok when a book is this good.  I was engrossed in each of the character’s arcs and kinda wanted them all to be my besties.  Except Henry, really, as the judge mentioned BUT as someone wrote in the comments, this book is about MUCH more than Henry.  Some have called Pella problematic.  I would refer them to Madeline in The Marriage Plot.  But also I don’t see that so much.  Of anyone, she displays the most dramatic growth in the book, and she is the one who brings everyone together for the book’s incredible ending.  Soo basically?  The Art of Fielding was a super enjoyable, well written, lovely example of good ol’ fashioned literary fiction that everyone should enjoy and just BEAR WITH ME when I describe it to you OK?

And then there was Open City!  Which was also really good!  And here briefly to say that same thing, but better, is Vivienne, our newest comrade at the bookshop:

Vivienne: A young man wanders the streets of New york, sharing his thoughts, reflections, insights and snippets of his history. Through his beautiful, meditative prose we gradually learn that he is a psychiatrist, he is Nigerian and he is alone. His musings on art, history, music, love, politics are impressive, interesting and often challenging. It reads like a journal but is much more crafted and cohesive than that; it seems deceptively easy and fluid. He travels to Brussels, ostensibly to search for a lost grandmother but once there does not really try to find her. Instead he continues his wanderings and musings, connecting with strange and disparate characters along the way………the Moroccan phone salesman with an impressive knowledge of philosophy and politics,who is obsessed by the notion of difference, the doctor from Boston who only wants to talk about Jazz……….. I haven’t yet finished the book but I suspect the themes of racism, otherness, how we find our place will deepen as I continue to read. It’s not really like anything I have ever read before but I am intrigued and know that i will feel I want to read it again for the things I missed the first time around. There is so much to relish here.

Steven: Well, I’M going to stop talking about books.  Thanks to Vivienne for enlightening us all, and for showing me up.  THANKS.  Open City is a beautiful, lyrical book with a fascinating protagonist, one who is an outsider everywhere he goes, who is deeply introspective yet deeply guarded about himself (see, e.g. the revelation near the end).  And it’s currently out of stock!  But hopefully it will show up at the shop in the next couple of weeks with the attractive price tag of $19.99.  So Open City won, but I would have been happy either way.

And now we’ve finished our coverage of round one!  Fay has filled you all in on the surprising results of the first two quarter finals (both of which bode well for The Marriage Plot [The Worst Plot] according to my long term/highly faulty strategisin’), so tomorrow I will revel in The Sisters Brothers.  And depending on Fay’s next availability (the Venetian jerk) Eugenidestruction is coming soon.

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The Quarterfinals (some of them)

Hello from Venice! That’s right my blogfriends, this post comes to you from halfway around the world, from the city of love! Or is that Paris? Don’t worry,  I will be blogging from there too! Care too much? I believe I care the perfect amount, as officially endorsed by the Tournament of Books reviewers as the best bloggers in the entire world. Their words, not mine.*

But enough about me, let’s talk about books. In a super shock decision on Tuesday Lighning Rods beat The Sense of an Ending. Cmon Roxy Reno, what the hell! Or at least that’s my initial thoughts having not read Lightning Rods. As mentioned before, it’s not possible to get it in Australia and I don’t think it ever will be  due to extremely conservative and fearful publishing strategies. (‘Who’s Jennifer Egan?’ I hear Australians ask until 2011. ‘Oh, she’s just a much lauded, talented writer, with numerous awards and publications to her name.’ ‘Oh she just won the Pullitzer, I guuueesss we can publish her books now, just a small print run though…’) But I digress. I haven’t read Lightning Rods but I sure have read The Sense of an Ending and I know that it is beautiful and elegant and effortless and prize worthy. But hey, it’s not like it hasn’t won any prizes. But if you’re interested in Lightning Rods you should go and read the commentaries and comments left on it’s matchups. There are some really interesting and engaging thoughts by people who’ve actually read it. And just quietly, it’s getting kind of slammed.

Look you guys! It's me, in Venice!

Onto 1Q84 and The Tiger’s Wife (our personal shout out matchup). DISAGREE! As previously mentioned I loved both books. I really really did and would happily recommend either one of them. I loved the carefully manipulated sci-fi-fantasy of 1Q84 with it’s crazy interweaving plot threads and careful study of the mundane. But, for me, The Tiger’s Wife is the winner. It’s so much tighter and I found it more thoughtful, with a more subtle and considered take on the big questions it poses. I didn’t agree with any of the criticisms put up against it. I personally can’t think of one, where I can think of a few complaints for 1Q84. I think I’ve already voiced them but if you want me to elaborate let me know and I will! There was a discussion in the first round match up about rewarding failed literary ambition over the soemthing with a smaller aim. I think that’s what happened here and I don’t think it’s fair. 1Q84 went big, and while it didn’t always succeed, it worked a lot of the time. But The Tiger’s Wife is not short of literary ambition, and it worked all of the time. (Tiger all the time?)

Final note: I’m glad The Art of Fielding seems to have legs as a zombie (zombie legs?) because, like Steven, I am very eager to see it in a matchup with The Marriage Plot. Which I haven’t forgotten by the way! Boy did Steven say some hurtful things. Don’t worry crew, I will take him down next time and I take comfort in the fact that when customers come in to buy the book or talk about how they like it he can’t contradict them. Heyhere’s an idea,  all you fans, go in to Sunflower and tell Steven how much you liked The Marriage Plot! We could make it a thing, like Marriage Plot Fridays or something? I’m happy to make up a roster.

Goodbye for now! I hope you are enjoying Melbourne as much as I am enjoying Italy (did I mention I’m in Venice?)

*Actually my words, not theirs

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